Elizabeth Blackadder

'Favourite Flowers' Limited edition book with signed aquatint 'Salpiglossis'

1994

’Favourite Flowers (Iris)’ By Elizabeth Blackadder A limited edition book of 100 copies specially bound for the Mercury Gallery. No 1 to 50 contain and original etching/aquatint 'Ir...

Untitled, from ‘The International Association of Art Portfolio’ By Max Bill Medium - Screen print Edition - 3/25 Signed - Yes Size - 640mm x 460mm Date...

This print was commissioned by The Hardy Society for the official launch of the Thomas Hardy visitor centre. ’Hardy's Cottage’ By David Humphreys Medium - Lithograph Edition - 19/200...

’Saccades’ By Joan Miró Medium - Aquatint and etching Signed - In plate Edition - Size - 550mm x 375mm Date - 1962 Condition - 10 Colour of print may not be accurate when vi...

’Landscape with Adam and Eve with an angel’ By Arthur Boyd Medium - Etching with colour on wove. Signed - Yes Edition - Artist Proof Size - 640mm x 820mm Date - 1986 Condition - 8 Colour of print may not be accurate when viewed on a monitor. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...

’The Parlour’ By Richard Bawden Medium - Etching Signed - Yes Edition - 33/85 Size - 775mm x 570mm Richard Bawden 1936 Painter and printmaker, born in Braintree, Essex, the son of...

"Red Poppies, Gray Target" is an etching and woodcut in red and silver inks, printed on Hahnemühle Copperplate paper in an edition of 20. Artist's signature, title, date and edition ...

By: David Smith-Harrison Medium: Intaglio Year: 2005 Image Size: 4.5" x 3.5" Paper Size: 8" x 6.25" Portrait of a citrus tree with a single lemon from an ...

Artist: Karel Appel Title: Purple Owl Size: 41 x 32 Inches (90 x 80 cm) (Framed: 47 x 38 inches) Medium: Aquatint and Carborandum Edition: of 130 Year: 1979 Notes: Karel App...

Signed, titled artist proof. Edition of 135. Royal Palm with Turkish Design maintains the interplay between the twodimensionality of the architectural rendering and the modeled line work of the palm. The addition of a subtle fade of sky-like blue in the upper left-hand corner works with the atmospheric marks to further emphasize the illusion of volume in the palm. Conversely, by bordering the upper half of the print with a pattern from an early Ottoman brocade, Smith-Harrison reminds us that we are not to take a representation of three dimensions as realism. The small medallion in the lower center of the print, although it also is taken from an Ottoman brocade, doubles as an architectural element. The shape resembles the glyph-like mark used to represent a palm tree in plan view drawings. The ornate, curvilinear large medallion is the third of the Ottoman elements. Placed in the lower left of the print, both the shape and the etching in deep reds and blues create an allusion to a polychrome roundel. Both the shape and the placement provide balance to the colonnade and the angular rendering in the center of the right side of the print. David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey. Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States. COLLECTIONS: The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Utah State University, Logan, UT Brigham Young University Southwest Texas State University, San Marcos, TX Cadence Corporation, San Jose, CA Cooper and Lybrand, St. Louis. MO George Lucas, Lucasfilms Ltd., San Raphel, CA Michael Richards...

Edition of 30, sold unframed. This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...

Edition of 30, sold unframed. This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...